Kathak Rangmanch Pravesh

Shaivi Bathija

Disciple of Guru Sudeshna Ganguly

Hosted by
Suraj & Keerthi Bathija

Sunday, August 30, 2026

Doors Open: 1:30 PM

Patricia Reser Center for the Arts

Beaverton, Oregon

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Program Schedule

Doors Open — 1:30 pm
Welcome, check-in and settle in for Shaivi’s Kathak Rangmanch Pravesh.
Photos & Mingling
Meet family and friends, take photos, and enjoy time together before the program begins.
Seating
Guests take their seats as we prepare to begin the performance.
Dance 1 — Saraswati Vandana — 2:00 pm
A devotional invocation to Goddess Saraswati, the goddess of wisdom, knowledge, music, and the arts. Set to Raag Hansadhwani and Teentaal, this composition by Pandit Birju Maharaj combines graceful bols and expressive taans to invoke her blessings for the performances ahead.
Dance 2 — Jaaptaal
Set to Raag Darbari and the ten-beat cycle of Jhaptal, this energetic ensemble highlights Kathak's rhythmic precision, intricate footwork, expressive bols, and a dazzling sequence of 21 chakkars.
Dance 3 — Shiva
A devotional tribute to Lord Shiva, expressing his strength, grace, and cosmic energy through the majestic style of Dhrupad. Set to Raag Bhairavi and Chautaal, this powerful invocation seeks the blessings of the Lord of Dance.
Intermission — 3:30–4:00 pm
Enjoy snacks and chai, and take time to refresh before the second half of the program.
Dance 4 — Hanuman
Based on a Hanuman bhajan and excerpts from the Tulsi Ramayana, this expressive presentation is set to Raag Malika and Teentaal. It depicts two celebrated episodes from the Ramayana, showcasing Hanuman's unwavering devotion and valor as he sets Lanka ablaze and brings the Sanjeevani herb to save Lakshmana.
Dance 5 — Tumri
A graceful and expressive thumri set to Raag Pilu and Rupak Taal, portraying the joy of the monsoon as a heroine delights in the beauty of nature. Through delicate abhinaya, the performance captures the season's romance, longing, and exuberance.
Dance 6 — Grand Finale
A lively Bollywood finale in Kathak style, choreographed by Sudeshna Ganguly, blending traditional Kathak with contemporary energy. Featuring original bolparans by Sudeshna Ganguly and Diya Stacie Ganguly, it brings the performance to a joyful and memorable close.
Photos with Shaivi
Capture special memories with Shaivi after the performance.
Dinner — 6:00 pm onward
Celebrate together with dinner, family, and friends.

RSVP

You are cordially invited to Shaivi Bathija's Kathak Rangmanch Pravesh!

Kindly RSVP by August 15, 2026.

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Venue

Patricia Reser Center for the Arts, Beaverton, Oregon

What is Kathak?

Kathak is one of the eight major classical dance forms of India and originated in North India. The word Kathak comes from the Sanskrit word "Katha," meaning story, and "Kathakar," meaning storyteller. Traditionally, Kathak dancers narrated stories from Indian epics, mythology, and folklore through expressive movements, intricate footwork, graceful spins, and facial expressions.

Over time, Kathak evolved into a sophisticated classical art form that beautifully blends rhythm, music, storytelling, and emotion. Known for its intricate footwork, mesmerizing spins, expressive gestures, and the rhythmic sounds of ghungroos (ankle bells), Kathak continues to captivate audiences worldwide.

Rangmanch Pravesh marks the entry of a trained dancer onto the professional stage after years of dedication under a Guru. It is a milestone of discipline, artistry, and transformation.

This debut honors the Guru-Shishya tradition and celebrates years of devotion, practice, and artistic growth.

Today we celebrate Shaivi Bathija’s Kathak Rangmanch Pravesh.

Shaivi’s Journey

My Journey in Dance

My mother enrolled me in dance classes when I was five years old, and I still remember my very first lessons with Sudeshna Aunty. Her warmth and encouragement created an environment where I immediately felt at home, and I quickly developed a love for dance.

From the very beginning, walking into Pump-It-Up with my ghungroos in hand and waiting for Sudeshna Aunty to tie them became a meaningful routine. As I continued training, dance evolved from a weekly activity into an essential part of my life and identity.

Over the years, my passion has grown through consistent practice, discipline, and a willingness to challenge myself. The peers I began dancing alongside are still by my side today. Their support, encouragement, and shared dedication have played an important role in shaping me as a dancer and as a person.

Today, dance remains a central part of my life. I continue to grow through every class, and I look forward to further developing my skills and expressing myself through this art form in the years ahead.

My Dedication to Rangmanch

As I grew up dancing, I often looked up to the older students and wondered when it would finally be my turn to have my own Rangmanch. It always felt far away, and now I still cannot believe that the moment I have dreamed of for so many years is finally here.

My first Rangmanch practice was both exciting and intimidating as I stepped into something so meaningful. However, Sudeshna Aunty’s warmth and guidance immediately made me feel comfortable and supported.

Preparing for Rangmanch has required dedication, discipline, and countless hours of practice. Through rehearsals, I have learned that repetition is key—the more I practice, the more natural the movements become and the more confidence I gain. I spend time refining choreography, focusing on details, and improving my expressions, technique, and stage presence to perform to the best of my ability.

This journey has helped me grow not only as a dancer but also as a performer and as an individual. Through rehearsals and workshops, I have learned the importance of perseverance, patience, and trusting the process. While there are moments of challenge, each practice teaches me something new and pushes me to improve.

Over time, I have become more confident in myself and more appreciative of the effort behind every performance. Rangmanch is more than a performance to me—it represents years of dedication, growth, and passion for dance. I am truly grateful to be part of this experience.

About the Guru

Smt. Sudeshna Ganguly is a respected Kathak exponent whose dedication to the art form extends far beyond teaching dance movements and techniques. Through years of patient guidance, disciplined training, and a deep commitment to preserving tradition, she has inspired countless students to appreciate Kathak not only as a classical dance form but also as a means of storytelling, self-expression, and cultural connection. Her teaching reflects a beautiful balance between technical excellence and artistic sensitivity, encouraging students to develop confidence, grace, and respect for the rich heritage of Indian classical arts.


For Shaivi, this Rangmanch Pravesh marks an important milestone made possible through the unwavering mentorship and encouragement of Guru Sudeshna Ganguly. Under her guidance, Shaivi has learned the value of perseverance, discipline, and devotion to her craft. Every performance, practice session, and achievement along this journey carries the imprint of her Guru's wisdom and dedication. With heartfelt gratitude, we acknowledge Smt. Sudeshna Ganguly's invaluable role in shaping this special day and helping nurture a lifelong love for Kathak.

Credits

Orchestra

Choreography - Sudeshna Ganguly

Bolparan - Sudeshna & Diya Stacie Ganguly

Vocals - Mitali Deb

Harmonium - Balaji Murthy

Tabla - Jyotiprakas Mistri

Sarod - Anandi Roy

Flute - Shreyas Bharadwaj


Additional Credits

Makeup - Mini Jairaj

Lobby Decoration - Harini (Timeless Events)

Indoor Photography - Roop Chandwani (Lenzville Photography)

Outdoor Photography - Premi Vinayagam (Oviyam Photography)

Video - Roop Chandwani - Lenzville

Website - Veer Lulla